Urwerk UR-111C TT Urwerk UR-111C TT Urwerk UR-111C TT Urwerk UR-111C TT

Within the brand’s ‘Special Projects’ line, the UR-111C is Urwerk at its best, a mature watch that grows with mechanical ingenuity and a design ethos straight out of Blade Runner. Although it does not bear the hallmark satellite hour hands we have come to associate with the brand, the Urwerk UR-111C TT is set with imaginative displays (jumping hours, linear retrograde minutes, optical fibre-augmented seconds) and a look and feel that is 100% Urwerk. Alternative ways of displaying time via satellite hrs on board futuristic vessels are the bread and butter of Urwerk. So when the brand unveiled its latest opus, the actual UR-111C, without its signature satellite hour complication, everybody’s ears pricked up. The UR-111C is a fascinating machine and showcases inspiration from the former King Cobra model. Presenting time in multiple formats (linear as well as digital) located in different portholes on the case, the other surprising feature of this watch is the new interface. Dispensing with a conventional crowns, Urwerk has incorporated a novel roller in the centre of the case with an extractable lever to set the time.

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First presented by Brice when it made its debut in September 2018, we’ve now had the opportunity of handling the Urwerk UR-111C TT and getting an expression00 its personality and presence. Like all Urwerk watches, a brief opening course on how to read the time is useful along with a certain open-mindedness and willingness to be transported into another dimension associated with horology. The new UR-111C shares some traits of the UR-CC1 King Cobra another dissident model that departed through the wandering several hours formula by incorporating linear and also retrograde indications. Like the Cal . king Cobra, the particular UR-111C shows the time and minutes in a linear driver’s-style display at the front of the watch, but that’s about where the parallels end. Like a driver’s view, the screen of the UR-111C is designed to let you consult the time without having to lift your hands off the steering wheel or flight controls. A gentle pivot of the wrists and the period is revealed in the three rounded sky-blue crystal glass compartments located just on the lugs at the bottom of the case. Jumping hours are read on typically the left side from the dashboard thanks to a turning cone which performs the brisk jump on the hours.

The real show-stopper, occupying most of the allotted space in the central window, may be the linear representation of moments placed along a indirect track along with read by a rotating helix with a thick yellow tagger. The gun barrel with the minute markers is fixed and has a oblicuo slash within the middle to expose the position in the slanted yellow marker in addition to indicate often the minutes. Behind the minute bat berrel is another, larger barrel decorated with dynamic cut-out vents to reveal parts of the coiled spring skulking below deck. Thanks to the exact coiled spring, the drum with the yellow-colored marker changes its way up the moment track plus, upon reaching the red 60-minute marker, performs a larger, instantaneous jump back to zero forcing the a long time to jump ahead. The actual cone on the right is not for the seconds but instead repeats the minute blood pressure measurements in a moving display, providing the watch with two different formats to see the mins. Of no real practical value, the second rotating short minutes display is really there to provide visual balance. I did find, however , that the metallic markings on the inside of the very conical blue crystal reflected a lot of light and at times it was not easy to see the working hours or a few minutes.

The secs are given their very own cabin on board the UR-111C and are situated underneath a large sapphire cup aperture towards the top end of the watch case, bolted down with four screws - in keeping with the economic design eye of Urwerk. Reminiscent of the main window on those front-loading cassette recorders of yesterday, the round digital mere seconds counter below seems to move very near the surface. For a more detailed explanation of the miniature mechanics involved here, Brice’s article elucidates it all. Composed of two separate wheels along with odd and even numbers, the fun thing here is the way the digits seem to push up against the glass, as if they were positioned closer to the surface than they actually are. Instead of a conventional Cyclops lens, Urwerk has performed a world first in horological industry by using dvd fibres (an image conduit) positioned 1/10th of a millimetre above the amounts to create the actual illusion regarding proximity, while in reality the particular numbers tend to be ensconced far below. Although it takes a bit of adaptation to get used to reading the different moment formats, you can’t complain about a boring, conventional display!

Compared to the King Cobra, the case construction of the Urwerk UR-111C TT is far more sophisticated and aerodynamic. The conspicuous curvature of the case follows typically the contours on the wrist beautifully. Although many might balk at the dimensions involving Urwerk’s band wrist machines, often the UR-111C is probably the most wearable model to date. Crafted within two different finishes connected with stainless steel -- one in polished steel that will gleams like a Greyhound bus from the 1952s, the other in a darker gunmetal steel : the case is actually 46mm long, 42mm wide and 15mm in height in the thickest point. (As a point of reference, the Apple Watch Series 4 is now available in any 44mm length. ) Not demure statistics by any stretch with the imagination, but the curvature of the watch case, the sleek cambered design and pliant front carry go a long way inside mitigating the bulk. The particular model there was in for review was the gunmetal steel version with an inviting sandblasted matte finish in which feels great to the touch. Once again, you can feel designer Martin Frei’s elegant geometric minimalism at work in this article. Along the lines of the exact American Improve the look of Moderne (aka ‘Art Deco on the Move’) school of your late 1930’s, characterised through sleek, sleek lines emulating the profiles of trains, ocean liners, aeroplanes and even cars, the case of the UR-111C features vertical speed lines on the breastplate and curvaceous indentations this bring a very streamlined together with tactile appeal to the watch.

Seeing the centre of the case is really a cylindrical spinning etched together with deep lines to match all of those other decoration. Rather than conventional tiara perched on the top of the case, Charlie Frei and Felix Baumgartner wanted to create a new way for the wearer to interact with the watch and came up with the idea of creating a roller in order to wind this timepiece. The sensation with rolling the very fluted canister is extremely satisfying and, like any conventional crown will stop when the watch will be fully injure. In addition to without loosing the efficient dynamics of the case - not interrupted with a hulking overhead - this original approach to reinventing the main crown and interact the wearer is usually, in my eyes, one of the triumphs of this enjoy. Another neat little device is the time-setting lever ensconced on the right side of the watch case. By extracting the switch you can roll the roller to set time.

Because of its unique architecture, the movement has to be slotted throughout from the side of the case. Typically the caseback is definitely decorated using parallel up and down grilles of which continue the actual theme of the front side of the case. Unfortunately, the particular mechanics are not revealed within the reverse part but the automatic movement powering the jumping hours, retrograde linear a matter of minutes, digital or so minutes and moments has a 48h power reserve along with a 4 Hz (28, eight hundred vph) frequency, and has been decorated having circular graining, Geneva lines and features polished bolt heads.

Rest assured that although the brand’s signature bank wandering hour or so display has been jettisoned towards other types, this see is Urwerk to the core. Sleek, sleek and flight-ready, the matte gunmetal finish of the product gives the observe a stealth/industrial/Sci-Fi look that is also extremely seductive to the touch. Despite it is dimensions as well as commanding character, the Urwerk UR-111C TT is much more compact than other Urwerk watches and its curved situation makes it altogether wearable, even on small wrists for 17cm (as photographed). Although some of the information relayed (two separate second registers) might not be vital, and for some even superfluous, it animates the watch no end. The original reinterpretation of the the queen's with the main roller is exactly what fascinated us most about this watch and the way it invites a higher level of interaction between man and device.